Caspar David Friedrich Nationalgalerie E
Caspar David Friedrich Nationalgalerie
| Autor: | Birgit Verwiebe / Ralph Gleis |
|---|---|
| Verfügbarkeit: | Auf Lager. |
| Veröffentlicht am: | 26.04.2024 |
| Artikelnummer: | 2621222 |
| ISBN / EAN: | 9783791377438 |
Zusatzinformation
- Autor: Birgit Verwiebe / Ralph Gleis
- Verlag: Prestel
- ISBN / EAN: 9783791377438
- Bindung: Hardcover
Produktbeschreibung
250 years after the painter's birth, this
luxurious exhibition catalog offers glimpses
into the mystery of Friedrich's largely
posthumous popularity as well as the latest
research into his training and techniques.
Largely ignored during his lifetime, Caspar David Friedrich was a meticulous painter of emotionally evocative landscapes, often featuring solitary figures or groups of people against dramatic scenery. His work has inspired many artists to the present day, and this volume explores the role that Berlin's Nationalgalerie played in bringing Friedrich into the forefront of modern art history. It also shines a light on Friedrich's remarkable use of pairs in paintings-including his most famous pairing, Monk by the Sea and Abbey in the Oakwood-which he employed to express a range of different perspectives and the concept of change. Finally it examines the latest research into Friedrich's technique: his early training in Copenhagen; his sketches, preparatory drawings and underdrawings; and his unconventional selection and use of pigments.
luxurious exhibition catalog offers glimpses
into the mystery of Friedrich's largely
posthumous popularity as well as the latest
research into his training and techniques.
Largely ignored during his lifetime, Caspar David Friedrich was a meticulous painter of emotionally evocative landscapes, often featuring solitary figures or groups of people against dramatic scenery. His work has inspired many artists to the present day, and this volume explores the role that Berlin's Nationalgalerie played in bringing Friedrich into the forefront of modern art history. It also shines a light on Friedrich's remarkable use of pairs in paintings-including his most famous pairing, Monk by the Sea and Abbey in the Oakwood-which he employed to express a range of different perspectives and the concept of change. Finally it examines the latest research into Friedrich's technique: his early training in Copenhagen; his sketches, preparatory drawings and underdrawings; and his unconventional selection and use of pigments.
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